"Digital Kitchen did the title montage. They worked on the opening sequence for Six Feet Under so Alan had a relationship with them. Their storyboards for the initial presentation blew us away – they really caught the flavor of what we were looking for. One of the mandates was to sell Louisiana, to let viewers know they were going to see something quirky and visit locations they'd never been to before."Mr. Dunn states that the different looks in the various scenes of True Blood are result of different techniques. In the scenes where Sookie is listening in on other people's thoughts R!OT colorist Scott Klein and pilot DP Checco Varese used various techniques of highlighting and changing the brightness on the film to emphasize the film grain therefore differentiating Sookie's "visualizations" from the norm. For the flashback scenes the DPs used special lens (Deakinizer lens named after Roger Deakins) to create a vignette around the frame and in postproduction Zoic Sudios then emphasized the lens look. Mr. Dunn explains that there is a great deal of visual special effects that goes into the making of True Blood. The different crews involved in creating the specials effects are Zoic Studios for the digital VFX and Masters FX for the makeup effects. An interesting statement that Mr. Dunn makes is that the fangs that we see on the vampires may be the result of two different effects. If the vampires are to have their fangs out for an extended time the people from MastersFX uses prosthetics that are placed in the actor's mouth. If the visuals effect is to have the fangs extend and then retract, the people from Zoic Studios add them in by way of digital VFX. The way that vampire fangs work are similar to those of snakes. The fangs remain tucked in the mouth and when needed unfold from the back forward. Mr. Dunn states that "you can see the CG mechanics in certain scenes". Mr. Dunn explains in detail the mechanics involved in the Longshadow death scene. He states:
"Zoic created [vampire] Longshadow's death and deterioration with an entirely CG actor – it's probably the costliest effect in the show. They also did the V hallucinations [which occur when mortals drink vampire blood] which have been a lot of fun – sparks flying out of trees, the love scene swimming through a shared-experience dreamscape. The backgrounds were imagined after the water-tank shoot with the actors; it was Alan's idea that they all be based in nature – in a forest, with waterfalls".Markee Magazine asked Mr. Dunn to elaborate on the theme song that is used in the show, Jace Everett's "Bad Things" and the concept of Sookie hearing other people's thoughts. Mr. Dunn states that Technicolor Sound works on ways to convey the illusion of thoughts coming in from various different sources without it being too confusing.
"We use sound effects coming in and out of the thought process, then reverse dialogue and EQ it in a certain way to make it very clear that what Sookie hears is specific to her. It's important for the storyline that the process be intelligible when we want it to be and cacophonous at other times."In regards to composer Nathan Barr, Mr. Dunn states that he did a great job in producing music that capture the spirit of the show and the emotions that need to be conveyed. With the love theme song that Mr. Barr created to emphasize Bill and Sookie's attraction and feelings, he developed a score that had "both an Old World feel, since Bill comes from the Civil War era, and the feel of something timeless. The Civil War flashbacks have banjos and cellos, there's an African sub-theme for the voodoo exorcism, big-string power hits for the scary parts and, always, the flavor of Louisiana". Markee Magazine asked Mr. Dunn if there are any changes for Season 2 to which Mr. Dunn responded by stating that everybody in the various departments work so well together that he does not see any changes occurring for season 2. In closing Mr. Dunn states that he has never worked on a show that has "spoken to fans like True Blood has". Also he states that everybody is excited to do season 2 thanks to Alan Ball and the material that they get to work with. SOURCE: Markeemag.com (Photo credit: HBO Inc.)
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